The Beauty of War (2003)
A collection of three short works co-devised and performed by 10 members of youth theatre groups from Makhampom’s long-term community theatre workshop programs. The pieces applied a highly physical theatre form onto simple narratives, incorporating characteristic folk aesthetic elements

Noh Mur Ay (2002)
This work, based on a Pakakyaw folk tale, incorporated contemporary social themes, indigenous music and symbolic design with a mixed cast of young people from the Makhampom program in Mae Hong Son and Makhampom performers. 

Liew Lang, Lae Nah Tulong, Tula (To Look Back, To Look Forward, October) (2001)
The story revolves around the lives of a village family, struggling under the economic pressures of the modernization, and drawn into the rapid social upheavals of the 1970s, in the October 6 massacre. It is presented in a cautionary way, suggesting that the activists of that time must recognize their mistakes so as not to repeat them today.

Likay Apiwat (Changing the Sky, Changing the Earth) (2001)
From local communities to minor members of the royal family, from NGO workers to likay artists, from drama students to national artists, from friends of Makhampom to progressive members of Bangkok’s middle class, from pro-democracy activists to the members of the political elite.

Akaoni (2000)
Thai-Japanese collaboration

Cry of Asia II (1998)
Asian Performance Collaboration on Poverty & Cultural Issues

Malai Mongkol (1997)
The narrative journey of Pra Malai with the fictional life and death story of two teenagers, Mala and Mali . The production was founded firstly on the premise of advocating the social condition of “living together happily with people with AIDS” and secondly to “restage an old art-form, even if for a different function”.

Big Wind (1994/95)
Performed in the musical style of the Mime Troupe, the production received mixed responses from audiences and participants and was continuously facing hurdles with visa restrictions, customs seizures, and group dynamics.

Cao Lo Lo Lum (1995-96)
Cao Lo Lo Lum was based on the classical text Lilit Pra Lo, from the north of Thailand , the themes of obsession, manipulation and utopianism were reinterpreted in terms of the problems of drug addiction.

Phitsukarn Er (Daeng Zwischen Zwei Welten/Daeng Between Two Worlds) (1993-94)
A story of the life journey of a child prostitute ‘Daeng’, from rural poverty, to urban capitalist society, and into the social whirlpool of industrialization, consumerism, the sexual economy, and the social response to HIV/AIDS. Performed in Thailand , Germany , England , and at the Edinburgh Festival in a style combining physical theatre, folk motifs, and classical Thai dance.